I still don't know if I like the song "Poker Face". Theoretically I should -- Lady Gaga seems to be a hybrid of the positive attributes of Christina Aguilera and Britney Spears. The first few times I listened to the song it passed the American Bandstand test ("It's got a good beat and you can dance to it"). I heard the chorus once as a ringtone and it sounded like something I would enjoy, though I couldn't fully distinguish what was being said. Something along the lines of "hee-ba-hi, hee-ba-hi hee-ba-ho-bi-ba-na-de-daadaaa (huminana huminana)". It wasn't until one of the students on my staff included it on a mix CD that I was able to put all the pieces together (and rip the track for my own purposes). Yay, now I can have the song on my Shuffle and get the real translation of "hee-ba-hi".
And that's where the problem lies...
With the song playing directly into my ears, I can actually listen to the lyrics and...they're not good. Like, at all. It reminds me of the "poems" that people would write in my high school creative writing class, though to Gaga's credit her metaphors aren't as thoroughly mixed. I realize it is pop music we're talking about here and expectations are low. It's not like this song will be passed to future generations, but the lyrics are so bad that it actually detracts from the listening experience. It's hard to get my dance on when I keep on stopping to say "that's dumb".
There are plenty of instances of this bizarre phenomenon in pop music. Here are some examples:
"A Horse with No Name" ~ America
"There were plants and birds and rocks and things"
"The heat was hot"
"MacArthur Park (Abridged)" ~ Donna Summer
...yeah.
"The War Song" ~ Culture Club
"War, war is stupid / and people are stupid / and love means nothing / in some strange waters." Besides being absolutely insipid, I think this may be a protest in response to the Falkland Islands conflict.
"Video" ~ India.Arie
"Keep your Cristal and your pistol / I'd rather have a pretty piece of crystal"
These songs, with the possible exception of "MacArthur Park", are perfectly serviceable but have the occasional lyric that makes my earholes say "ouch". I have a couple of theories as to the causes of these errors, though it is hard to pinpoint what exactly happened. I can't tell if the songwriter painted him/herself into a corner and didn't want to have to undo an entire section (India.Arie maybe). Or, in America's case, they may have come up with the riff and cadence first and then tried to see what would fit in with whatever story they were trying to tell. A thesaurus might have been handy, but a lack of one didn't stop them. As for Culture Club, this just screams "filler track", though if it was released as a single that might explain why the group dissolved not too much later. Sadly, I think Lady Gaga is expecting people to not pay that much attention, which is fair since it is a great club song -- just keep it off your iPod.
Are there other songs that you have encountered where one word choice or line makes you cringe, affecting your reception of the song?
Thursday, May 7, 2009
Play List: Blarney
Monday, April 27, 2009
Play List: Twitter
It was either Jon Stewart or Joel McHale who this week described Twitter as the Internet's Macarena. That's pretty fair, although I doubt there will be a wedding where everyone decides to start tweeting or a board meeting where everyone starts dancing -- though I'm waiting for someone to prove me wrong. It's an interesting medium that is still in its infancy, but I'm curious to see where it will be six months from now. That is, if it is still relevant.
The one feature that simultaneously intrigues and concerns me is the "Trending Topics" list on your twitter homepage. This is where you can find ten topics that are featured in a significant number of tweets. On the one hand, it is pretty cool that you get to see what's on the collective consciousness of the users of Twitters (I don't think they're called "Twits", so I'm resisting the urge to name them such). At the same time, I'm not too keen on having the the words of my tweets entered into a Top 100 countdown.
Anyway, I looked at the list of trending topics at around 9:15pm Sunday and found an interesting list. My challenge: come up with a soundtrack for the Tweet Countdown. The good news: Susan Boyle was not on the list at that moment, so I don't have to encounter that song again.
Swine Flu
#therescue
I had no idea what this topic was about. The use of a hashtag (#) allows other users to show up in searches based on whatever follows the hashtag. In this case, #therescue refers to an organization called Invisible Children that works on trying to stop the fighting in Uganda and DR Congo, particularly child soldiers. I had not heard of any of this before writing this paragraph.
Amazing Race
Originally I thought of "Roam" by the B-52's, but I couldn't find a postable video that wasn't muted by Warner Music Group. I think this is an appropriate Plan B.
Red Sox and Yankees
Mexico
Bea Arthur
Dammit, Warner Music Group. I wanted to post the theme to Maude ("Thank You for Being a Friend" seems a bit sappy to use now) but that is also muted. Rosie to the rescue.
CDC
Monday, April 20, 2009
Play List: Eulogy
Two of the classes that were part of my Religion major were "Issues in Medical Ethics" and "Ethical Issues in Death & Dying" (or, Deathics). One of the topics highlighted in both courses was to make sure your final directives are made clear to your loved ones before you are in the situation where they will come in to play. I think at the time the lesson dealt more with life support issues, organ donation, and cremation versus burial, but the first directive I came up with was music oriented. NO bagpipes, NO "Amazing Grace", NO BAGPIPES PLAYING "AMAZING GRACE".
Last week I caught this article on Yahoo News about what songs are the most popular at funerals. The study was commissioned by the British company Co-operative Funeralcare and they do this study every couple of years or so. Their findings, which can be found here, are interesting in a dark humor sort of way.
The top popular song choice was "My Way" by either Frank Sinatra or this version by Shirley Bassey:
Neither version would be my choice. If I wanted something that theatrical, I would probably go with "The Impossible Dream", though chances are I would avoid any song with such pomp.
The only song on the top ten that I was not familiar with was Gerry and the Pacemakers' "You'll Never Walk Alone":
I can see why this one would be popular for this context, but again I wouldn't want something so over the top. Maybe it's my Irish heritage talking, but I think I would want the music to be celebratory rather than making people sadder.
The alternative, I suppose, would be to go to the "quirky choices" section. My favorite item on that list: The Trammps "Disco Inferno"
It's a good track, but not quite how I would like to be remembered. It is in the ballpark being an up-tempo dance number, but unless I died in a fire or too much funk it wouldn't be all that relevant.
Here are three choices I'm tossing around:
Bjork "New World"
Stevie Nicks "Landslide"
Elvis Costello "Everyday I Write the Book"
I realize it is kind of morbid, but what song or songs would you be considering for this situation? Are there some songs that are totally inappropriate or ones that you think the list overlooked?
Sunday, April 12, 2009
Play List: Counterpoint
There were two internet destinations that figured prominently in my freshman year of college: Art of the Mix and Audiogalaxy. The former allowed me to share with others the carefully crafted mix tapes I devised during my high school years while the latter allowed me to build a rather extensive mp3 collection for future mixes.
Nowadays, I find mixing to be somewhat uninspired because there are fewer limitations. I didn't get a CD burner until twelfth grade, so all of mixes up to that point were actual mix tapes. Mix construction at that time required extensive planning. First you pick a theme and then select songs related to that theme. After repeatedly listening to specific tracks, you narrow down your list and create a dossier that included the length of each track. Once you narrow down your list to 12-15 tracks, you have to create a flow from one track to the next. It could be a drum beat, a choice of tempo, some connective fiber linking one song to the next. However, with a tape you are limited to either 30 or 45 minutes to a side, so you need to structure your tracks so that connections can flow without a tape flip cutting into the middle of a track or having over two minutes of silence. I probably went through a ream of paper in high school just from adding up the total minutes of a proposed list -- but it was worth it.
CD Burning adjusted those limitations. Instead you could have up to 80 minutes of continuous music expounding on a theme of your choosing. Arranging flow was also easier as shuffling tracks just involved a click and a drag instead of swapping CDs and skip-searching track numbers. Also, with services like Audiogalazy and Kazaa, if there was a song that you needed to complete your thesis it was only a short download away. There is a distinct disadvantage to the switch from tape to CD: If you want to present a point/counterpoint type mix (such as God/Devil), you don't have the flipping of a tape to facilitate that transition of thought.
Modern music technology has made this process almost impossible. A playlist, as Nick and Norah have shown us, can be infinite. Synthesizing an idea is no longer necessary because there is no technologically forced limitation. I still use my first generation iPod Shuffle on a daily basis, but 8.5 hours is way too much when conveying an idea, particularly if you want to present a dichotomy.
A playlist idea that I have been batting around revolves around the idea of Point/Counterpoint, Rebuttal/Response, A-Side/B-Side. Since my music library has exploded in the last few years, I feel like I have missed music based discussions between tracks that may not have realized they were in conversation with one another. I feel the list is incomplete, partly because my library will always be incomplete, partly because sometimes I will only make the connection if the right synapses fire at the right time. Here is my list so far:
"My Love Don't Cost a Thing" Jennifer Lopez
"Thong Song" Sisqo
"Little Red Corvette" Prince
"Layla" Derek and the Dominos
"Sweet Home Alabama" Lynyrd Skynyrd
That last item would probably get cut in the final draft, since the rebuttal is explicit in the latter song, but hopefully you get the idea. As you can see it is a rather short list and not enough for even a cassette.
What songs do you think would work for a mix like this? Read More......
Monday, April 6, 2009
Play List: 80's One Hit Wonders
Last week VH1 added to their list of lists with the 100 Greatest One Hit Wonders of the 80's. This is my cocaine and I was giddy all Friday. I am not embarrassed by this, but now that I've come down from the high it's time to look at the list.
This is not going to be a critique of all 100 items because I'm not insane. But as with any of these lists there are 5 reactions: "Right on", "I hate that song", "That's too high on the list", "That's too low", and "Wow! They included that one!" Let's go through the highlights, lowlights, and alrights(!).
#95 - Midnight Oil "Beds Are Burning"
Status: Too Low
It took me until hour three of this countdown to realize that this isn't the top 100 one-hit wonder videos. Although the video, if there was one associated with a given song, may have factored into a voter's opinion it most likely was not a deciding factor. Ubiquity seemed to be a dominant factor, particularly as you get higher in the list. Even though this is a really awesome song, Australian aboriginal land rights was not the most ubiquitous topic in 1989 from what I recall. Although I can see how the sound of the lead singer's voice might be a turn off for some, I still think this should rank a little bit higher. At least it should rank higher than the next entry...
#89 - Rodney Dangerfield "Rappin' Rodney"
Status: Too High
Don't get me wrong: I like Rodney Dangerfield. I think Back to School is an underrated film. But there are no redeeming qualities to this "song" or video. This is one of a small handful of novelty songs that also made the countdown, yet the "Super Bowl Shuffle" did not make the cut. Maybe the 1985 Chicago Bears had a rock anthem or ballad that also charted that I'm not aware of. Regardless, the fact that this track made it as far up as 89 is a real disappointment. Also: why is he being executed?
#72 - Swing Out Sister "Breakout"
Status: Yay!/Too Low
I LOVE this song and video. It was a favorite growing up and one that I had forgotten from time to time only to experience great joy whenever I rediscovered it. My first rediscovery was in high school at the library I worked at. Someone had returned a 20th Century Masters: Swing Out Sister CD, causing me to question the legitimacy of that particular CD series (I didn't know SOS was ginormous in Japan). My most recent rediscovery was a couple years ago shortly after rediscovering New Order and following iTunes' suggestions. This track has since become a staple on my iPod.
#62 - XTC "Dear God"
Status: Yay!
This is an amazing track. Back in my high school sociology class we had an assignment where we had to pick a song that talked about a social issue, write a couple of paragraphs about the issue, bring in a copy of the lyrics, and bring either the song or video for the class to partake. I had recently acquired this video from MTV2 and thought it was a perfect match for class. This was just one of a number of projects I did in twelfth grade that was met with stunned silence by my peers. You are probably not going to hear this on American Idol and the lines "the father, son and holy ghost/is just somebody's unholy hoax" are pretty incendiary (though awesomely constructed). The only issue I have is that XTC did have a minor hit with "The Mayor of Simpleton", but I guess it was so minor that VH1 let it slide.
#58 - Don Johnson "Heartbeat"
Status: WAY Too High
BOO! I can't believe this outranked "Rappin' Rodney", let alone almost half the list. There is nothing redeeming about this song or video. The only time I think it was ever enjoyable was during the MTV special 25 Lame, where Jon Stewart, Denis Leary, Janeane Garofalo and Chris Kattan (one of these things is not like the other...) were snarking as the video played. By the way, if you are ever able to catch that special or find it archived anywhere, it is a joyous two hours.
#50 - Neneh Cherry "Buffalo Stance"
Status: Yay! / Right on!
This is another song/video that I absolutely love. I remember my sister Kathy really liking this song and every time it came on we had our own 4 minute dance party in the living room. I was only 6 at the time and didn't really grasp the concept of prostitution, but I know a jam when I hear one. This was another "joy of rediscovery" track. It must have been a good fifteen years since I last heard this song, but the first time I heard the album Arular by M.I.A. my immediate reaction was "she reminds me of Neneh Cherry." This song is another iPod staple.
#34 - The Waitresses "I Know What Boys Like"
Status: Too High
I think the fact that this video is not available on YouTube gives some sort of indication that this song is not all that popular. I'm just not a fan of new wave punk (as opposed to new wave pop) and this is one of the only new wave punk entries in the entire countdown. I think this line from the song sums it up best: "nyah nyah nyah nyah nyah / nyah nyah nyah nyah nyah". Seriously.
#27 - Stacey Q "Two of Hearts"
Status: Right on!
Don't laugh, but I think this song was a bit ahead of its time. The video is incredibly dated, which I think is what caused me to remember it as being catchy but not all that special back in 1986 (even at the age of 3 I could be a harsh critic). It wasn't until the summer of 2004 when my friend Brad had me take a listen to his cover of the song that I realized how intricate the song was in its simplicity. The song has a clear message, an awesome hook, and Stacey Q sounds amazing. I might even go so far as to call it the "Superstition" of the Synth-pop generation. I'm totally sincere in that assessment.
#19 - Dead or Alive "You Spin Me Round (Like a Record)"
Status: Too Low / Right on!
This song's placement baffles me somewhat. I realize that with the top 20 the list enters into "iconic" territory and different icons carry different weights. Taking a look at the list there are some significant heavyweights, though Animotion's high placement is a bit surprising. I think this is a case where the video does come into play, as "Obsession" is much better served by its video than this song is.
Of course, looking at the Top 10 it is nothing but heavyweights. Here is how I would rank them (VH1's ranking in parentheses):
And number 1 (or 3, according to VH1):
Sunday, March 29, 2009
Play List
I would like Mondays on the blog to be music oriented - partly because I think that's a fun way to start the work week and partly because I like alliteration (music Mondays). So, welcome to the debut of Play List. This week's list will deal with American Idol and the rumor that this week's theme is the iTunes Top 100. I have no idea how often the iTunes 100 gets updated (hourly, daily or weekly), so these are my predictions/suggestions/wishes for this week's show. Oh, and these are based on what the iTunes 100 list included at 11:45pm Sunday. Enjoy!
What are your predictions?
Update: I couldn't remember the source at the time I posted this, but here is the origin of the rumor (by way of Idolator). Read More......